Turn on the TV at practically any time of day or night on any channel and you have a good chance of seeing some kind of Reality Program. The programs run the gamut from the serious to the insane and cover any number of subjects. People tune in to them in droves and the people who appear on them become stars overnight. But what if the Earth itself was its own reality program? What if the day to day happenings of the people here, no matter how mundane, provide entertainment to extraterrestrial beings?
That is the question posed in Channel Blue.
At one time Earth was Galaxy Entertainment’s highest ranking show. The viewers couldn’t get enough of the backwards little people. But like most audiences, they are fickle and what was once the biggest thing is now at the bottom of the heap. This is what has happened to Earth, aka Channel Blue. With its ratings quickly going down the tube they plan to draw in the viewers once more with an amazing finale. In just three weeks, the TV show will go out with a bang, and unfortunately so will Earth.
One man however can save our planet from it’s final curtain call, but Perry Bunt’s hardly the hero type.
If that last line sounds a tad cliched, that’s probably because it is. Earth is on the brink of destruction and out of the billions of people on the planet the only one who can save us is some nobody. He is your token white man, non-descript and bland. Like most in the anti-hero trope, Perry starts the book with a “I don’t want to do this” approach which evolves in to a “I guess I have to do this” approach which becomes a “I want to do this!” approach. He continues to try and do the right thing which only gets him in to trouble and usually ends with some kind of physical beating for Perry. As the story carries on this becomes tiring, not only for Perry, but for the reader them self.
With Perry in this mad adventure is Amanda Mundo. Hailing from the planet Eden, but looking exactly like any human, she is one of the many many producers of Channel Blue. At first she’s interested in Perry because he’s an ex-script writer and she needs ideas to keep Channel Blue running. The disappointing thing is that eventually she too succumbs to the trope most female characters are subjected to – that of the love interest. Of course she falls in love with Perry and of course they end up together with a happy ending, the story left open-ended for the possibility of a sequel. In it’s predictability it’s almost disappointing.
Now I’m not saying that Channel Blue is a complete disappointment. There are some rather amusing moments and the book itself does present a sort of critique on our society. It is absurd in its own way but hardly “in the tradition of Douglas Adams and Kurt Vonnegut” as one reviewer said it. Adams and Douglas set a precedent when it comes to sci-fi and while Martel does make a good endeavor, he simply cannot match the greats.