This book was provided for review by the author. Thank you!
Meet Chuck Steak. His insides are well done. He’s a cop, but not just any. He’s the best. Hasn’t been one like him since the ‘90s. Won’t work with partners and disregards the collateral damage his boss is always screaming about.
Chuck Steak is USDA Prime badass, so having a bomb planted inside Mia, his secret, longtime girlfriend who’s been dreaming of marriage for almost a decade, should be just another day at the office. The problem is, an elusive villain challenges Chuck to deliver Mia’s dream wedding within a week’s time, or she’ll blow.
Overwhelmed with “girly tasks”, Chuck’s forced out of his action-heavy comfort zone and into scenarios which require words instead of bullets. One results in the loss of his right hand, and when it’s replaced with a black hand, this white cop (now .65% black) encounters a new kind of villain: racism.
With time against him, Chuck will have to find a non-violent way to convince the love of his life and her disapproving family that this isn’t another publicity stunt—that after all of these years, it’s finally time to ditch the legacy he’s been slaving over in favor of the family she’s always dreamed of. All while overcoming unexpected hurdles like his own department and their trigger-happy mentality toward minorities, backstories, a feminist gang, incredibly friendly Muslims, dementia, depression, gender equality, and trying to maintain action-orientated roots in an increasingly politically correct world.
Any person who grew up watching movies in the 1980’s and 1990’s will easily recognize a character like Chuck Steak. He’s a man’s man – the lone wolf who doesn’t work well with others and consistently ignores any one who tries to tell him what to do. The only person he shows any kind of softness with is a woman who is the love of his life and when her safety comes in under attack, he moves Heaven and Earth to get to her.
Reading Chuck Steak reminded me of every one of those movies I watched when I was younger. Pearl has taken practically every cliche and maxed them out as far as they can go. One would think this would make a book that is practically unreadable, but somehow it works. There were plenty of times I found myself rolling my eyes as I recognized one trope or another. Yes, it does get ridiculous during some chapters, but for me that’s what made it an enjoyable read.
Characters and plot aside, Pearl has an excellent grasp of storytelling. There were only a handful of times where the story became a bit disjointed and that generally happened in the jump from one chapter to another. Otherwise, his prose is smooth while still keeping the hectic pace that many action movies have.
The way Chuck Steak is set up, it looks to be the first in a series and according to Goodreads there is a second book. If it is just as frenetic and fast paced as the first one, I can see it becoming a popular series.