Romania—the last months of the Ceausescu regime. Adina is a young schoolteacher. Paul is a musician. Clara works in a wire factory. Pavel is Clara’s lover. But one of them works for the secret police and is reporting on all of the group.
One day Adina returns home to discover that her fox fur rug has had its tail cut off. On another occasion it’s the hindleg. Then a foreleg. The mutilated fur is a sign that she is being tracked by the secret police—the fox was ever the hunter.
Images of photographic precision combine into a kaleidoscope of terror as Adina and her friends struggle to keep mind and body intact in a world pervaded by complicity and permeated with fear, where it’s hard to tell victim from perpetrator.
The Fox Was Ever the Hunter is one of those books that it is quite difficult to write a review for. Simply because – at least for me – the book itself is quite difficult to describe. Told in a lyrical kind of prose, the book has a stream of consciousness feel to it. Müller puts so much attention in the settings, bringing them in to such sharp focus, that the human characters fade in to the background.
Looking at other reviews over on Goodreads, I find that I am not alone in my opinions. There are just as many there who are like me, who just do not “get it” when it comes to this book. Likewise, there are a goodly number who sing its praises. The Fox Was Ever the Hunter did win a Nobel Prize, so there is that as well.
Perhaps much of what makes this book appealing is lost in translation. Perhaps I am just too dense to understand.