Edinburgh, 1888. A virtuoso violinist is brutally killed in his home. Black magic symbols cover the walls. The dead man’s maid swears she heard three musicians playing before the murder.
But with no way in or out of the locked practice room, the puzzle makes no sense…
Fearing a national panic over a copycat Ripper, Scotland Yard sends Inspector Ian Frey to investigate under the cover of a fake department specializing in the occult. However, Frey’s new boss – Detective ‘Nine-Nails’ McGray – actually believes in such nonsense.
McGray’s tragic past has driven him to superstition, but even Frey must admit that this case seems beyond reason. And once someone loses all reason, who knows what they will lose next…
Trigger Warning: Murder, general gore, death of an infant
Set in the Victorian Era, The Strings of Murder follows Inspector Ian Frey as he is sent to Edinburgh to investigate the brutal murder of a well-known violinist. Upon his arrival, he is paired up with Detective McGray, a local detective who has also been selected to investigate. Immediately the two men butt heads; their personalities could not be any more different.
With McGray’s fervent belief in the occult and Frey’s skepticism, I was reminded of another pair of investigators – the X-Files Agents Fox Mulder and Dana Scully.
Though I never wanted to slap Scully as much as I did Ian Frey.
Frey’s penchant for what could only be considered whining was irritating and quickly became tiresome. McGray wasn’t nearly as bad but sometimes he felt more like a stereotypical caricature of a Scotsman and less like an individual.
The actual resolution to the murder itself though was a unique one. Locked room mysteries can be solved in so many different ways and de Murial was able to accomplish it in a way I had yet to encounter.
Final thoughts: Good mystery, satisfactory ending, incredibly irritating characters.