This book was kindly provided for review by the author. Thank you!
It is the new age of barbarism, hundreds of years after the collapse of civilization.
Most of the vast knowledge that mankind had accumulated has been lost. The once great cities are either piles of blasted rubble or crumbling ruins. After society imploded, humanity turned on one another. Decades of war followed. The survivors banded together in tribes and clans.
All the bullets and bombs have run out. It’s back to edged weapons and blunt instruments. Technology has taken an enormous step backwards, and so has humanity.
He belongs to a band of wanderers, mainly peaceful people who gather and hunt. One day they suffer a raid by a group of warriors and in the aftermath, he finds himself alone. All his family and friends killed, and he left for dead. The only survivor was his little sister, which the raiders kidnapped. He vows to rescue her. After a night of mourning, he sets off to get back his sister, not yet a man and without any idea how to go about it. The shock of the raid and the grief that followed it fundamentally changed him. He surprises himself time and again as he tracks down his sister’s kidnappers and gets her back.
Redhand is a book about change. After a catastrophic event referred to only as The Collapse, society as a whole changed. War pitted man against man until the bullets ran out. And even once they were gone, man continued to rally against his proverbial brother; only this time using weapons of metal and stone.
Duxbury does not shy away from showing how brutal and cruel things have become in his novel. His action scenes are vivid and often times gruesome, the protagonist dubbed Redhand unwilling to back down from a fight. The young man isn’t the only one prone to violence though, nearly every character we meet has fought and continued to fight for their survival.
Redhand is told through a series of five short stories; each story a chapter in the young man’s life. The stories are in sequential order so the reader can watch as the protagonist changes from a wide eyed youth to a hardened traveler. The issue comes with the lack of any real character development, even with Redhand himself. Were this a full length novel, it could have allowed for stronger emotional bonds to form between reader and book characters.
The ending of the final story also felt very abrupt. Almost as if Duxbury wasn’t sure how to bring things to an end and simply stopped writing. Such a sudden ending took me by surprise as I was expecting Redhand’s travels to continue at least a little more.
Overall, Redhand is a decent take on the post apocalyptic genre. I think with a bit more work fleshing out the stories and the work of a good editor – the copy I received still had a few editor’s notes left in it – it could become something much better. Readers looking for a fast read might give this one a look.